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THE ART OF STORY

Stakes (No Worcestershire Sauce Nor Fangs Required)

June 24, 2012

In Just What Is It About Mad Men?, I asked what draws viewers to the hit show season after season. I still don’t have that answer. What I do have is another question that perhaps the writers collected will discuss.

What are the stakes for Don Draper? In other words, what does he have to lose and how high are those stakes for him? For us? The discussion is relevant to the the writing of single stories such as novels and feature films as well as to the writing of stories told in series.
Read on …

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Posted in FICTION & CNF, SCREENWRITING, THE ART OF STORY | Tagged television | Leave a comment

Just What Is It About Mad Men?

June 10, 2012

This week, I did a bit of informal research into the widespread appeal of “Mad Men”, 5-season hit drama from AMC. As one of the biggest successes in recent television history, I wanted to know what draws the people I know into this world of selfishness, callousness, ignorance, and much-discussed misogyny. Those who responded were fairly diverse within a somewhat narrow slice of contemporary society but as far as ratings are concerned, they also represent the choicest slice.

You’d think that with all the hype and chatter that the discussion would revolve around a core set of points: Walter White on “Breaking Bad” is heartbreaking and amazing; Tony Soprano of “The Sopranos” is terrifying but a sweetheart; “Arrested Development” is all about the writing. That sort of thing. But for “Mad Men”, the responses were surprisingly vague.
Read on …

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Posted in SCREENWRITING, THE ART OF STORY | Tagged television | Leave a comment

Science is on the Storyteller’s Side

May 6, 2012
The Storytelling Animal: How Stories Make Us Human by Jonathan Gottschall

via jonathangottschall.com

Literary scholar Jonathan Gottschall gives us a peek into the ways that scientific inquiry is beginning to validate our innate connection to stories.

In his new book, The Storytelling Animal: How Stories Make Us Human, Gottschall offers what he dubs “the first unified theory of storytelling”: validated proof from neuroscience, psychology, and evolutionary biology that the more absorbed we readers are in a story, the more the story changes us.

We writers know this intrinsically but it’s nice to have the skeptics on board every now and again.

 

 

Co.Create“Why Storytelling Is The Ultimate Weapon” at Fast Company’s Co.Create.com

Purchase on Amazon.comThe Storytelling Animal: How Stories Make Us Human by Jonathan Gottschall on Amazon.com

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Posted in THE ART OF STORY | Tagged video | Leave a comment

Sleeping Beauty — Storytelling Through Imagery

April 27, 2012
Sleeping Beauty on IMDB

Image Source: IMDB

In 2011, writer/director Julia Leigh offered us a look at visual storytelling at its best in her Australian film Sleeping Beauty. Through careful, photographic composition and thoughtful connection of images, a story unfolds that is cinematic, beautiful, and haunting. All with minimal use of dialogue.

In this project, Leigh frequently trades exposition for visual interpretation which can be a difficult choice given (as evidenced by the body of critical and casual reviews) that the majority of viewers are more comfortable with a film that explicitly explains its every moment. Such a technique can be valuable not only in filmmaking but in all forms of storytelling; we may choose to paint our images and allow our audience the pleasure of interpretation rather than verbalizing our characters’ attitudes, and choices.

For a study in less-dialogue-is-more, have a look at the following:
Read on …

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Posted in SCREENWRITING, THE ART OF STORY | Leave a comment

James Cameron Talks Story on Charlie Rose

March 29, 2010

Author Christina Baker Kline (Bird in Hand, The Way Life Should Be) did us the great favour of transcribing a recent interview with director James Cameron (Avatar, Titanic) in which he offers storytelling wisdom that is simple but oh so true:

It’s always about the characters and about how those characters express something that the audience is feeling.  So it has to have some universality to it, having to do with relationships, whether it’s male-female, parent-child, whatever it is. And then you have to take them on a journey. And then you have to make it excruciating somehow.

Like that? Sounds so simple, no? Need a hand getting started? Try this: Is Your Hero Sympathetic and What the Heck Does That Mean?

And by the way, you can catch up on Ms. Kline’s latest right here on THE STORY SPOT: she’s now part of our Literati (updated live as bloggers post–if you don’t see her now, try again later.) Click through to read more and subscribe.

Read “The Essential Elements of Storytelling … according to James Cameron” on Christina Baker Kline’s blog, “A Writing Life”
Watch James Cameron interviewed by Charlie Rose

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Posted in THE ART OF STORY | Tagged emotion, luminaries, video | Leave a comment
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Blast from the Past

The Fiction Issue is Here! The Fiction Issue is Here!

Originally published on July 25, 2007

Ahoy, writerly folks. It’s that time of year again: Time to support your species and purchase the fine, fine fiction issue published annually by the Atlantic Monthly. Don’t be halted by the nagging awareness that The Atlantic may not ever publish your work unless you change your name to Updike. Instead, think rosy thoughts like this one: While the fiction ship sinks in these times …

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