Endings Make the Best Beginnings

Posted on January 26, 2010

We’ve all heard some variation of the trope, “Start at the end and work your way to the beginning” right? Well guess what? That works in writing and editing too.

Photo Credit: noraxx on Flickr

Say you’re staring at a blank page; you’re starting a new story but have no idea where it will head. Sometimes that’s exactly what you want but other times — like when you’re working to deadline or to directives from on high — you need to bolt it all down pronto. That’s when you move straight to the climatic scene of the film, novel, or memoir. How will this thing end? How is the story’s main problem resolved? What’s that final hurdle to be overcome and perhaps even who’s duking it out for the prize?

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The LA Observed Script Notes Project

Posted on September 22, 2008

A very exciting project has been happening over at LA Observed, our venerable blog-about-town. Screenwriter Eric Estrin wanted to see what would happen if a group of strangers collaborated publicly on a single screenplay about this, our City of Angels.

He posted a premise, loose guidelines, and an open invitation.
Nineteen writers answered the call and a story was born.

The result, Right of Way, is

…a dark, fictional look at the underbelly of LA transportation politics, complete with glamour, corruption, overweening ambition, betrayal and murder.

And now, THE STORY SPOT has joined the collaboration. What’s not to love?

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INK CANADA * Facebook Edition

Posted on July 14, 2008

Canadian?
Screenwriter?
Facebook addict?

Then stop in at the INK CANADA group. Founder Karen Walton moderates a lively, multi-faceted discussion about all things to do with film and television writing by Canadians.

You don’t need to reside in the motherland to join in but you do need a free Facebook account.

‘Les ecrivains, sont-ils betes?’! Canadian screenwriters often work alone, in isolation from one another & the film community at large, and are generally ignorant on the subject of each other’s work. It is my belief that there will never be a truly astonishing creative movement in Canadian cinema until its artists kick down the cultural, geographical, and systemic walls between us… and feel free to shamelessly excite one another. Off the clock, as well as on it. This is meant to be the national coffee room. Not mine. Have at it, creators. And, their sketchy friends.

–Karen Walton, screenwriter
Ginger Snaps, The Many Trials of One Jane Doe, Queer As Folk USA

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