Self-explanatory title, no? Here are some choice bits. Check out johnaugust.com for the full meal deal.
I had a president of production ask for a free rewrite before he gave it to his chairman. Not a polish. He had notes. True multi-week notes. That doesn’t strike me as a producer’s polish. That strikes me as flat-out abusive.
…that seems to be what people want. If I can’t magically say, “Yes, here is my crystal ball, it outperforms THE HUNGER GAMES, don’t worry about it,” they …
Pardon us for saying but this is bloody brilliant. Beat Sheet Central is author, screenwriter, and director Nicholas Jarecki‘s site where he collects breakdowns — *beat sheets* — of movies and tv episodes for your free learning pleasure.
Often when I’m writing a film or teleplay, I like to go back and look at movies and TV shows in similar genres and see how they are constructed. The point of this site is to collect beat …
Contributor: Snark the Reader
Vulnerability = Stakes
Today I finished a fish-out-of-water comedy spec (with an A-list attachment) and sat back. I was full and happy. Hmmm. Now that’s an unusual feeling after reading a script. I scratched my head. How did the writer pull that off? I’ve covered a lot of good scripts but this one was particularly…vulnerable (in the best way).
If you haven’t heard, ScriptFrenzy month is nigh: April 1-30, 2010.
Whether you’re playing along or not, here’s a bit of sage advice for all writers from Greg Marcks–as posted on the ScriptFrenzy site.
I don’t have ten tips, or five tips, or even three tips. I can only give you one tip: Please, for the love of all that is holy, know your story before you start writing.
This is …
Here’s a handy addition to your library. It’s the ICM Story Department Coverage Packet as posted by screenwriter and teacher Scott Meyers on his blog, “Go Into The Story“.
Meyers breaks down the packet and gives further explication on the basics such as the logline, character breakdowns, and adding personal comments. Valuable stuff, people. Read on.
